Meow Wolf Road Trip

I thought of the idea for the trip last fall, one of dozens of adventures I’d dreamed up and noted for “whenever things get back to normal.” My list got stupid long. I floated the idea to a friend: “I want to visit the three Meow Wolf locations in Denver, Santa Fe, and Las Vegas in one week.” He responded immediately with “Let’s do it.” Kurt was in too. 

This trip ended up having a theme, which was seeing the world cracked open. It’s fitting considering we’re living through this time in history in which the landscape shifts constantly; a new dangerous variant emerged and circled the globe within the brief window of time between buying our plane tickets and embarking on our trip. We move forward, thrice Pfizered, twice shy.


Song: “Mountain Song” by Jane’s Addiction

And so we arrive in Denver in late January, a Ziploc full of fresh KN95s in my purse, and a box of rapid tests in my carry-on in case of the worst. We spend two nights in an AirBnB in Boulder, the broad expanse of the Rockies visible even from the windows of the garden unit. As a Midwesterner, I can never get over seeing the mountains from one’s house. You can just, like, walk outside and see the Rocky Mountains while still wearing your house slippers? And while getting in and out of your car in the CVS parking lot? It’s wild.

On our one full day in Boulder, we hike the Mt. Sanitas trail, a 3.2 mile loop to the summit at 1,256 feet. The first half of the trail to the summit is steep, with a good amount of rock scrambling close to the top. There’s fresh white powder on the ground, dusting the pine trees, and cool drops of condensation drip onto my head. I work up a sweat, stepping up logs and boulders as high as my hips. I’ve got flatlander’s lungs and I’m breathing hard in this high elevation. Meanwhile, locals trail run past me in light athleisure wear, barely breaking a sweat. I even see a dog with corgi legs scramble over the rocks like it’s no big deal. My hair is a damp mop on my head and I’ve peeled off my sweaty gloves, shoving them into the pockets of my puffy jacket now tied around my waist. But we make it to the top, and bask in the view of the city of Boulder laid out around us. I can never get over a good view. A change in perspective. Man, I’ve missed traveling during this damn pandemic.

On Sunday morning, we arrive at the first of our Meow Wolf stops in Denver, Convergence Station. None of us have been here before. Kurt and I visited the original Meow Wolf in Santa Fe in 2019, and I loved the trippy art fever dream experience of it. The Denver installation is over three times bigger, located in an industrial area where the highways converge, lending inspiration to the intergalactic travel theme. The last real-world moment is when we are told of their mask policy (must stay on, fully covering one’s nose and mouth at all times, removing the mask even for a quick photo could result in being asked to leave). With our KN95s on tight, we enter the elevator and are whisked away to another world. 

Here are my tips for visiting Convergence Station:

  • If possible, plan your visit on a weekday or early in the day to avoid crowds.
  • For $3, you can pick up a QPass card for an interactive ‘game’ within the installation. If you’re exploring with a group, you only need one card (but keep in mind you’ll need to stick together). When you boop your card at a reader, you accumulate ‘mems’ which piece together to tell the story within the world.
  • If you don’t feel like solving the game, don’t worry about it. It’s a blast just to explore and interact with the art and the space itself (especially if it’s your first Meow Wolf visit).
  • If you’ve previously been to House of Eternal Return in Santa Fe, prepare yourself for an experience three times bigger (60,000 square ft of exhibition space compared to 20,000). We spent about 3 hours in Convergence Station, and could have stayed longer if we didn’t have tight schedule.

I love Meow Wolf because it feels like everything I longed for as a kid–a gigantic, fantastical funhouse full of secret passages and portals and wormholes to the next spot. One world is ethereal and melancholy, with a reclining mermaid tucked high on a ridge, her luminescent hair draping down the wall. Another looks like a futuristic street out of Blade Runner, with neon graffiti, an intergalactic bus, and a story about a rat antihero. The next looks like an ice planet with a show-stopping glass cathedral nearly touching the light show sky. 

I’m starting to settle into the rhythm of traveling again. With so many new landscapes and experiences to explore, I push my anxieties to the back of my brain, trying not to worry about things until they are a reality.

New Mexico

Song: “Sound & Color” by Alabama Shakes

We drive south through Colorado towards our next stop, Taos in northern New Mexico. It’s about a 5-hour drive, and I love watching the geological scenery change outside the car window. Gradually, the snow-capped Rockies disappear from view, and the rock formations of northern New Mexico dominate the horizon. We pass over the Rio Grande River Gorge Bridge, 600 feet above the river bed, one of the highest bridges in the country. From the vantage point of the bridge, the landscape looks cracked into two halves, like something caused by a pissed-off sorcerer.

Outside of Taos, I soak in mineral hot springs. In one pool with a natural pebble floor, you can see the bubbles come up from the earth and rise to the surface. The night air is crisp, somewhere around 30 degrees, but it’s toasty in the water, heated by geothermal activity deep in the earth. I think that my love of fantasy/sci-fi and my love of nature go hand in hand, because nature really is wild to wrap your head around.

The next day, we make the quick trip to Santa Fe, one of my favorite cities. I get my fix of tamales with green chile and a spicy margarita with a slice of jalapeno floating on the rocks. Next stop: the original location of Meow Wolf, House of Eternal Return.

Kurt and I first visited Meow Wolf in spring 2019. Even after the awesome display that is the 4-story Convergence Station, I am still blown away by the original space. There’s something about the storyline–a family disappears when they begin traveling inter-dimensionally in an effort to find a deceased loved one–that feels more intimate and prescient. I love the juxtaposition of a typical house and another dimension: a washing machine reveals an intergalactic portal, a closet in a child’s bedroom reveals a secret passage to a space wormhole. I love the story of the origins of Meow Wolf as a DIY art collective, creating a space for artists outside of the bougie Santa Fe gallery scene. If you’re new to Meow Wolf, I recommend starting with a visit to the Santa Fe location and also viewing their origin story

One quick night in Santa Fe, and we fill it with Frito pie. I also swear that our Airbnb is haunted and I dream that a man from the boiler room walks through the room at night while we sleep.


Song: “Canyon Moon” by Harry Styles

It’s a 4-hour drive to Petrified Forest National Park, so we get an early start to maximize our day before the park closes at 5 p.m. After making a few stops along the historic Route 66, we arrive at the park in the early afternoon. Starting at the Rainbow Forest Museum, we get the lay of the land and read up on the history of the park. With a few hours to go before closing, we pick a few short trails to hike: Crystal Forest, a 0.75 mile loop around a field of countless crystallized petrified logs; Blue Mesa, a 1-mile loop on a steeply graded trail that takes you into and out of the badland hills; Newspaper Rock, an overlook where you can view an array of nearly 650 petroglyphs created by ancestral Puebloan people as long as 2,000 years ago. This is a very accessible park for families with young children or seniors, as the trails are short but scenic and it’s easy to drive and park at each trailhead. 

Being the group of science and nature-minded nerds that we are, we marvel at the striations and variations in the rock formations, piecing together what was once underwater back when Arizona was under an ocean. How wild that a log can still look like wood on the outside, the patterns of bark still intact, while the inside has turned into quartz after being buried in sediment and compressed by pressure then being revealed again by wind and erosion. These elements exist on an entirely different timeline than us humans in our meat bodies. 

We breeze through our itinerary and realize it’s a few minutes past 5 as we squeeze in one last stop at Pintado Point. A strong wind whips across the badlands, chilling straight through my nano-puff jacket. I spot a ranger pull into the parking lot and we scramble for the car, but before we can promise we’re leaving, she tells us that we can stay for 30 more minutes to watch the sunset. “It’s going to be a nice one,” she says before driving away. We’re elated over the gift of additional time, and bundle up so we can stand at the overlook in the cold until the sun disappears into the horizon. The sky intensifies into a fiery orange as the low winter sun sets behind the badlands. As the colors cool into a soft, deep blue, we get back into the car and drive to the northern exit. 

Another day, another few giant holes in the ground. We grab breakfast then make our way to Meteor Crater National Landmark. The entire drive there, I’m positive that this is where Thor landed in his MCU origin film, but once I look it up I realize that I’m wrong. Starman (1984), however, was filmed at the national landmark.

Once you walk outside, the sight of the crater is mind-blogging. Free binoculars are staged at various viewing platforms alongside the crater. The crater is roughly 560 feet deep and 0.737 miles in diameter. The sky is bright blue all around us, and I imagine what it would be like to standing around in the desert when all of a sudden a meteor traveling around 30,000 mph suddenly arrived out of nowhere and smashed into the ground, creating this gigantic hole. Some of the original drilling equipment is set up on the ground level to show where excavations were dug for meteor remnants in the early 1900s.

Another few hours in the car, to the next destination. We pass through Flagstaff, then drive north towards the south rim of the Grand Canyon. I spot pronghorns along the side of the road briefly. It’s a little before sunset when we finally arrive in the National Park. Before even checking in, we park the car and dash to the nearest viewing area. Somehow everyone in our group made it to our forties without ever visiting the Grand Canyon before, so when we reach the overlook, we’re all pretty awestruck. You can look at a million photos of it (and you’re American, you probably have by sheer cultural osmosis) but it’s nothing like being there in person–the scale, the depth of shadow, the way the colors change in real time as the sun moves through the sky, revealing new angles. We walk along the Rim Trail, checking out a few different scenic overlooks. 

My acrophobia is mostly OK as long as there’s a substantial fence higher than my waist. A few waves of panic wash over me as I spot people venturing past the railing to stand on a rocky outcrop and take photos. People are out of their minds. Along other parts of the trail, there’s no barrier at all. When I start freaking out, I move further inland away from the rim. I can barely watch the small children and dogs who dart around on the sidewalk. 

The next morning, we fuel up on coffee, water, and breakfast burritos. The plan is to hike a portion of the Bright Angel Trail. As soon as I see the start of the trail, panic rises. The path is covered in snow and ice and descends into a narrow curve, then out of sight. I’m honestly not sure if I can do this trail at first; every time I look out over the edge I want to barf. But my group scouts out the trail beyond the curve and reassures me; it’s wider than it looks (4-6 feet across) and full of switchbacks, so even if I fell off the edge, I’d only go as far as the next ledge down. I don’t want to miss out on the views from below the rim, so I tighten the crampons on my boots, grip my hiking poles, and go for it. 

We descend slowly, one switchback at a time. I’m a slower hiker on the descent, thanks to my knee injury history, but my hiking buddies are relaxed and no big rush. As we get beneath the rim, the views are stunning. We are up close to the rock face and can see the layers of limestone, sandstone, and shale in detail. The first mile and a half or so are icy, but it’s manageable with my crampons and poles. I’m comfortable in my base layer and nano-puff in the cool 40-something-degree shade. My boots begin to expose red earth beneath the white snow, and soon we’re hiking on sun-dried dirt again. 

We rest briefly at the 1.5 mile rest stop, then continue to another 1.5 miles to the next one. My knee is yelling at me that every step down I take, I’ll need to take back up on the return trip. After descending 2,100 feet, I decide I’m good for the day. I wish I could keep going all the way to the riverbed and rest my legs at camp, but we’re only here for the day, and what goes down needs to come back up. The views of the river valley are a dream; I get why people become obsessed with this place and come back year after year. One can only imagine how much time could be spent hiking every trail, exploring every formation and never becoming bored. Caverns and valleys and portals and wormholes, what a theme for a trip. I feel blessed, as the kids say, to have experienced this week’s worth of adventure.

I’m pleasantly surprised by our swift uphill pace; the ascent is easier on my rickety knee joints and it feels good to put my muscles to the test (I’m basically a pack animal). We get off the trail around early afternoon and have a hot shower and a Santa Fe beer in our fridge to look forward to.

On our last evening in the national park, we go to Mohave Point to watch the sunset. The Colorado River is visible, and even from this distance, I can see the silvery water moving through the canyon. I stand back, just far enough from the minimal railing to keep my heart from racing. The temperature drops along with the sun, and I burrow into my coat, but I stand to watch as the winter sun descends lower and lower, washing the canyon in cool blues as a ribbon of tangerine lingers above the canyon walls, then fades away. Finally, I run back to the warmth of the car.

12 hours later, I pull my jeans on over long underwear and my puffy over my wool sweater, hide my bedhead under a knit cap, and run back outside to watch the sunrise. This time, the cool blues warm into soft pink. A rock formation in the distance catches the light first, and the yellow rays dance across its surface. 

Is this traveling in middle age? I’m into this vibe of waking up early, hangover-free, to quietly watch a sunrise, then head back to bed to do my daily word puzzle. 

We’re at the point in the trip where my packing cubes of dirty clothes start to outnumber clean clothes. Only one more state to go, and I get that wistful feeling where I don’t want vacation to end, even though I’m excited for the remaining plans that lay ahead. Onward.

We cruise through rural western Arizona. The desert gets more sparse and brown, far from the thickly wooded landscape in the northern end of the state. We make a stop at the Grand Canyon Caverns in Peach Springs. I first heard of this place on Atlas Obscura, with its grotto and hotel suite located 200 feet below ground. We go on the guided tour, which features the rentable open-air hotel room, a mummified bobcat, and a cache of emergency supplies that’s been sitting there since the Cuban Missile Crisis. 


Song: “Lost in the Supermarket” by The Clash

I haven’t driven to Las Vegas from Arizona since college, and I reminisce over the familiar scenery of Lake Mead Recreation Area. Good ol’ Las Vegas, my home in 1999. This final destination calls for a big-ass beer and a fresh KN95 up for a challenge.

The grand finale of our trip is our final Meow Wolf destination, Omega Mart. It’s located in Area 15, an immersive arts district inside a giant warehouse. The theme of this location is a grocery store where something went cosmically sideways. As with the other locations, wormholes and secret passageways abound. It’s easy to spend a ton of time in the grocery store entrance, where the attention to detail is extraordinary. Everything from the signage to the products to the tiniest details on their labels has an otherworldly, often hilarious twist. And you can buy many of the products; we purchased a snack pack of Dragon Arteries (red licorice bites) and a soda can of Gender Fluid (lemon-flavored sparkling water). As with the other installations, there’s a large main “world” that the passageways take you in and out of. Omega Mart also features three large metal slides, in case you’re looking for a quick getaway from the third level. Some of the rooms here, such as the Infinitizer, are a prime example of how Meow Wolf has grown in leaps in terms of merging technology with experience. I also discover my favorite room out of any Meow Wolf installation, a piece called “Pulse.”

Similar to Denver, there is a (free) card you can pick up to play the interactive game, which unlocks pieces of the storyline. And occasionally the story breaks through to the public; while we shop around the grocery store, the lights cut out and the television monitors are taken over by a group of insurgents looking to take down DramCorp, the evil family-owned conglomerate within this universe.

Omega Mart fills 52,000 square feet of exhibition space, closer in size to Convergence Station than House of Eternal Return. Once we’re satiated on our fill of parallel universes and trippy groceries (and I’ve spent enough at the two gift shops), we check out the rest of Area 15. A highlight is Birdly, a VR experience where you can get strapped into wings and soar through a virtual Chicago as a pigeon, or my personal choice, put on a wingsuit like in the Point Break remake and race through mountains trying to collect rings.

We’ve reached the end of our trip. I couldn’t have asked for a better time exploring alternate dimensions via immersive art and awe-inspiring wonders of nature. From Denver to Vegas, we’ve traveled up to 7,490 feet above sea level, down to 200 feet below ground. I’ve hiked on sacred lands as a grateful visitor, and enjoyed a collective vision of hundreds of artists’ rendition of an altered reality. It’s an incredible privilege to be able to travel, one that I do not take for granted, and I can’t wait to do more, as safely and responsibly as one can.

Final tips:

  • If you’ve never been to a Meow Wolf, I recommend visiting in chronological order (Santa Fe, Las Vegas, Denver) so you can see the scale increase with each installation. But also, time is precious and life is wild, so go in any order if that’s what it takes to get out there. 
  • I spent days after our trip reading more about each exhibit, and learning the stories of the individual artists enhances the whole experience for me. For example, I loved learning about how Arapaho translations are incorporated into Convergence Station, and Erika T. Wurth’s vision for incorporating Native imagery into the story behind the room “Help Save My World.” And also learning that the room “Wheelchair Space Kitchen Time Portal” pays homage to the disability rights movement. You can visit each location dozens of times and still discover new meaning and insight. 
  • The world is chaos. Stop and watch as many sunrises and sunsets as you can. 

Route 66, Eastward Bound

Thursday, May 9: Santa Fe, NM > Tucumcari, NM > Amarillo, TX > Elk City, OK

Soundtrack: “Route 66” Nat King Cole

We wake up in a foggy, misty, snowy rain. It’s not worth hanging around and making breakfast, so we pack up and drive down to a lower elevation. After fueling up on PB&J English muffins and gas station coffee, we are on our way back East for the return leg of our trip.

Since we booked it out to New Mexico so quickly at the start of our trip, we’re taking our time on our way home and stopping at all of the Route 66 sights and landmarks. Right around lunchtime, we arrive in Tucumcari, a city noted for its devotion to preserving the vintage aesthetic of Route 66. As we drive down the main drag, I recognize iconic kitschy images like the sombrero above the entrance of La Cita Restaurant, the sculpted concrete entrance of Tee Pee Curios, and the neon sign of the Blue Swallow Motel. Every building has some sort of reference to Route 66 painted in eye-catching splashy murals. “Get your kicks!”, the signs tells us.

We  eat sopaipillas swimming in green sauce for lunch and take tons of pictures of all of the 50’s era shops and motels.

The ghost town of Glenrio straddles the border of New Mexico and Texas. It’s considered a casualty of I-40, the interstate that replaced Route 66 as the main American byway, swerving tourism away. It feels eerie and haunting to peek into the ruins of rundown gas stations and motels, long abandoned and semi-reabsorbed into the landscape as weeds run rampant. Having visited sacred ancient places like Chaco Canyon so recently, it’s interesting to view neglected, modern day ruins like Glenrio and think about what chapter they add to the story of American history. Parts of the film The Grape of Wrath were filmed here, and I think about the waves of migration that have moved through these places over centuries–who was running towards something vs. away from something, by force or by choice, for adventure or for survival. And then at one point, we started retracing it all in wood-paneled station wagons, then RVs and conversion vans. What a wild, weird world.

We continue along, jumping on and off the historic route and I-40 alternately, putting New Mexico in our review mirror. Just west of Amarillo, we stop at Cadillac Ranch. The sky is gray, rainclouds swirling threateningly yet holding back. We walk around the art installation that is 10 Cadillacs buried nose first into the dirt. It’s definitely an inventive way to draw people to a place. The bodies of the cars are thick with layers upon layers of spray paint, and several aerosol cans lay in the mud, inviting us to leave our own mark on this roadside attraction.

“I was here”

The sun is starting to get low in the sky right around the time we reach the vintage gas stations of Shamrock, Texas, and do another driver switch. We decide to make Elk City, Oklahoma, our final stop. I call ahead to the Flamingo Inn, one of many motels listed as an historic Route 66 stop, and confirm they have a vacancy. By the time we get checked in, it’s nearly 9 p.m., just a few hours away from our 5-year wedding anniversary. We celebrate properly and order from Pizza Hut. Kurt tried to surprise me with a heart-shaped pizza, but the teenagers on shift didn’t know how to make one, so we get regular pan plus a tray of gooey brownies instead. In our room, we lay on the bed eating pizza and brownies and drinking boxed wine while watching a Steve Carrell movie on cable, and it’s a pretty perfect night.

Volcanic Forest Camping

Wednesday, May 8: Santa Fe National Forest

Soundtrack: “Mountain Song” Jane’s Addiction

It’s a chilly morning. We pack up camp, making sure to leave no trace, and head to nearby Jemez Springs, a historic town along the Jemez Mountain Trail Scenic Byway. One of the first places we see is a delightful looking cafe with an outdoor pen full of goats and chickens, so we stop there for breakfast. Now that we’re off the high mountaintop, it’s already warmer in the sunshine, and we sit outside on the patio and listen to the goats bleat at each other. I order blue corn blueberry pancakes and coffee, and they are heavenly.

if you are ever in Jemez Springs, go to Stage Stop Cafe

Today is our last full day in New Mexico (*sobs*) and we don’t have any plans other than to leisurely explore the national forest.  On our drive back into the wilderness, we stop at Soda Dam, a spot where water from underground hot springs bubbles up over a mineral deposit rock formation. The Jemez River meanders along the road, and this little nook of land is astoundingly beautiful with the mountains and sky as backdrop. I love exploring it and climbing over the rocks and sticking our heads into little caves; how can we do this every day for the rest of our lives?

Soda Dam, Jemez River

We drive up to the Valles Caldera National Preserve. The road winds around a large grassy bowl that’s actually the 15-mile-wide crater left behind from a dormant volcano. There’s a small visitors center, so we stop inside and chat a bit with the ranger. We’re planning to do dispersed camping a second night, and he confirms that the spot on the map we’re looking at is a popular site in the summer. He mentions the black bears in the area, and shows us some photos taken by recent hikers. “How can you tell bear scat?” he asks us, then delivers the punchline “It smells peppery and has bells in it.” I love a sassy park ranger.

We do one more short hike, leaving the van at a picnic area to walk the trail to Jemez Falls. A light rain sprinkles down on us, and the strong scent of pine reminds me of being in Yosemite. At the falls, Kurt of course wants to scramble up and down some rocks to get closer. I feel my anxiety kick in, but I tell myself, it’s OK. He will be fine; he’s not dumb. Eventually, I work up the bravery to climb closer also, and get a better vantage point. I guess this is the key to dealing with phobias–trying to think rationally instead of imagining every possible worst case scenario, taking things one slow step at a time, and remembering to breathe.

Jemez Falls

Kurt is a Gryffindor

It’s time to find a place to make camp, so we drive back up the rambling forestry roads, up into the mountains. Among the thick pines, we find a nice large clearing with the remnants of a few fire pits; it’s obviously a party spot in the summer. This early in the season, however, there’s not many other campers out and about, so we park and begin to settle in. We’re just in time; a heavier rain rolls through. We hang out in the van, eating snacks and drinking wine with the van door rolled open so we can enjoy the smell of the rain.

It’s-a me!

After the weather passes through, Kurt starts to work on building a fire. I’m standing next to the van with my pink sparkly “I’m 40, bitches” wine cup. For the first time, a vehicle ambles up our road. Instead of continuing on, the Jeep makes a sharp turn into our clearing and drives all the way up to our campsite, about 100 yards off the road. The driver rolls down his window and calls out a greeting. He and the woman sitting in the passenger seat chat with us a bit; they are locals and they’re camping further down the mountain. It strikes me as a little odd that he drove all the way up to a stranger’s site so aggressively like that. He asks Kurt’s name; he doesn’t ask me for mine. Finally, he and the woman wave and tell us to have a good time, and they drive away.

“That was weird,” I say. Kurt’s guess is that they spotted the van and thought that they might know us, or that maybe we were friends of a friend. I listen to a lot of true crime podcasts, so MY thought is that they were scoping out our van and plan to come back in the middle of the night and axe murder us.

Kurt goes back to working on the fire, and I stroll around the area with my wine cup. In the grass, I notice a bunch of shotgun shells not far from where we’re parked. A little further into the woods, I see a pile of bear poo (no bells in it). Still, I’m convinced that we’re more likely to be killed by a Jeep-driving axe murderer than a black bear.

As the sun sets, it turns into a beautifully starry night. We enjoy the warm fire and the wine, and eventually climb into the cozy van. Nobody gets murdered overnight.




Bandelier and Facing Fears

Tuesday, May 7: Taos to Santa Fe National Forest

Soundtrack: “Keep Yourself Warm” Frightened Rabbit

After this stretch of city stays, we’re going to be camping again. I shower in the Earthship, taking advantage of running water plus enjoying the experience of bathing next to a flower garden. Once we’re packed up, we get coffee to go and say goodbye to Taos, headed back towards the large national forest that surrounds Santa Fe.

Bandelier National Monument is our first stop. The canyons within the 33,000-acre park are an ancestral home of the Pueblo people. In 1150 to 1550 CE, people carved homes into the soft rock formations created from volcanic tuff, creating cliffside dwellings.

In the parking lot, we pack a daypack with snacks, water bottles, and jackets, then begin our day of hiking. The park trails take us right up to some ancient dwellings where we can climb wood ladders and explore cave-like spaces, their ceilings blackened with soot from campfires.

Once we finish the easy Main Loop Trail, we head deeper into Frijoles Canyon towards Alcove House. Set high in the mountain ridge, Alcove House is a sacred ancestral site where historians believe up to 25 Pueblo people lived at one time. I’ve seen photos of the steep trail leading to Alcove House, so I mentally prepare myself during the 2-mile walk to get there. Along the way, two signs warn us that the final .5 mile of trail is a 140 ft. vertical climb involving ladders, and those with health problems or a fear of heights should not attempt it. Awesome.

the 140′ vertical trail to Alcove House

When we reach the first ladder, I want to give it a shot. I can always turn around if it gets too scary. Kurt goes first, and I catch up to him on the initial rock landing. The trail is incredibly narrow, at points barely wider than one of my boots. At the base of the longest ladder of the trail, we reach a traffic jam as obviously, only one hiker can climb at a time. I stay on the rocky landing as a woman watches her 11-year-old daughter make her way down. The girl had gone all the way to the top, and after she climbs down, I tell her that she did an awesome job and she’s much braver than me. “Thanks!” she says, before adding “You can do it too!”

Kurt on the Alcove House Trail

Well now, I HAVE to climb all the way to the top because a kid believes in me. The next wooden ladder is about 30 feet tall, flat against the rock face, and there’s nothing but air to the right of it. I take a deep breath, then go up at a steady pace, focusing on the next rung up and not looking down or over the cliffside. As I near the top, I see Kurt above me taking photos. I grip the last metal handle in relief. There’s some trail, some stairs, and a few more short ladders, and the next thing I know, we’re at the top.

the view from inside Alcove House

The view is spectacular. For a few minutes, Kurt and I are alone in the Alcove House, so we are able to take photos free of any other hikers. An ancient kiva sits within the dwelling, and I try to imagine what it would be like to live all the way up here and look out at this beautiful view of the canyon first thing every morning. Eventually, more people make their way up, so Kurt and I begin our downward descent so that they can take their own photos. I have a feeling the return trip is going to be scarier, because you HAVE to look down as you go.

Focusing on my breath, I take it one step at a time. My heart is pounding, not just from nerves but also from the high altitude, which always affects my dumb sea level-accustomed lungs. Slowly, the forest floor gets closer and closer, and my boots land on earth with a final thud.


We rest on a bench, eating our snacks and watching hikers move up and down the trail above us. The trail back to the visitors center is an easy stroll through the forest, and I spot a young elk resting beneath a Ponderosa pine. We take photos from a safe distance. When we pass an elderly woman holding binoculars, Kurt tells her about the elk, and she replies “Oh I’m from Idaho, elk are a dime a dozen to me!” I guess us Illinoisans are easily impressed.

As it gets later in the day, the temperature feels cooler. I pull my fleece jacket on over my tank top. We drive towards Santa Fe National Forest. While stopping for gas in Los Alamos, we take a weird exit off the main road and accidentally get into a lane that takes us up to the security gate for some large sprawling building complex, so we do a quick u-turn. Oops, we almost tried to enter the Los Alamos National Laboratory. Awkward.

In the national forest, we use a forestry map to find a stretch of roads designated for dispersed camping. There’s a good spot on the ridge, set in a bit from the dramatic cliff (I’ve had my fill of heights for today). I’m happy to be outside again after 5 straight nights in towns and Airbnbs. The fresh air smells so good. Also, at 8,300 feet, this is the highest elevation we’ve ever camped at. A cold drizzle starts to fall, so Kurt gets out the grill to finish cooking dinner–bratwurst and chopped veggies.

I add more layers as the cold sets in.  The rain turns into snow. This puts me strangely at ease. Camping high on a mountain range is unfamiliar territory to me, but camping in the middle of a random snowfall is just like home.




Monday, May 5: Santa Fe to Taos

Soundtrack: “Over the Creek” George Ezra

The drive from Santa Fe to Taos takes us up winding mountain roads and along the Rio Grande. The night before, we had heard someone at the bar say of Taos, “It’s like Santa Fe but more chill.” From what I’ve seen so far, Santa Fe is pretty chill itself, so it’s hard to imagine getting any more laid back than that.

We start our day at Taos Pueblo, a Native American community at the base of the Sangre de Cristo Mountains that has been inhabited for over a thousand years. The village is a UNESCO World Heritage Site and National Historic landmark. When we arrive, we are directed to a parking area, then pay a visitors fee to enter the community. It’s another sunny, white-puffy-cloud day. The adobe buildings create a beautiful palette in front of the green mountains and blue sky.

Taos Pueblo

The Pueblo Indians today are about 90% Catholic, and both a Spanish-style church and traditional kiva can be found in Taos Pueblo. It’s a cool experience, to walk through this community that has lived in this breathtaking place for a thousand years. I find it so fascinating to think about where we come from and how our heritage shapes us. I’m biracial, but I have never been to the Philippines, my mother’s birthplace. I am shaped by my heritage, but I also find it so interesting to try and define what that really means for me. I say this while wearing a Marvel tank top and Game of Thrones edition Adidas, so let’s be real, my culture is 100% pop culture nerd.

In Taos Pueblo, tradition and culture are on display to us visitors. Many of the adobe homes are open to the public as businesses, selling food, handmade goods, jewelry, and art. Kurt and I go into one of the vendor’s homes and get Indian tacos on fry bread. I try out ‘Christmas,’ a mix of red and green chile. Everything is delicious. We go into a few more shops, and I buy a rosarita stone necklace after chatting with the designer’s mother, who runs the family’s business.

Kurt on the Rio Pueblo de Taos

We walk around the grounds, which are mostly open to the public except where noted by Restricted signs. Most other visitors we see are a couple decades older than us, so it’s notable when we spot our first group of twenty-something-year-old tourists. They wear fancy sunglasses and look like Instagram influencers, but they are being low key and respectful of the community’s rules.  We enter the San Geronimo Chapel, where photography is prohibited, so I buy a postcard to remember it by.

After Taos Pueblo, we drive to the Rio Grande Gorge Bridge, which spans the gap 650 feet above the water. We park and walk to the center of the bridge to take in the view. I can feel the bridge shudder beneath us as cars speed by.

Rio Grande Gorge

After a beer at Taos Mesa Brewing, we check into our Airbnb. One of the things I really wanted to do on this trip is to stay in an Earthship, a sustainable home built out of reclaimed materials. The one we’re staying in is called the Hobbit House, the first Earthship ever built in the Taos area. Once we enter the house, it’s nice and cool and homey inside. We admire all of the little details–the stained glass window, the recycled glass bottles that create patterns in the walls. My favorite part is the bathroom, where you walk along the length of a floral garden to reach the toilet.

The Hobbit House

We have dinner in the Old Town area, then hang out at the Hobbit House to relax. The house is warm and cozy, and I eventually drift off the sleep and have the most vivid dreams.



Santa Fe

Saturday, May 5: Albuquerque to Santa Fe

Soundtrack: “Santa Fe” Beirut

In the morning, I am feeling the effects of all those pints and my 40 years of age. We pack up our stuff, check out of the Airbnb, and stop over at a cafe. I order a crepe burrito with bacon, eggs, and green chile that literally gives me life. It’s a quick 45-minute drive and we reach our next stop, Santa Fe.

Santa Fe, a city of just under 84,000 people, is the third largest art market in the country behind New York and Los Angeles, which is pretty astounding to this typically snobby Chicagoan. We start our explorations in the Old Town area, which is similar to Albuquerque in that it’s filled with shops, artisans, and traditional architecture. Santa Fe also seems to draw in a lot of rich people. Kurt and I go into a clothing store filled with leather goods and fur coats with $$$$ price tags. I notice a display of elegant “Conceal and Carry” purses.

After kicking around for a bit and eating ice cream cones in the historic town square, we drive a few minutes over to the Railyard area. We stop by Jean Cocteau Cinema, a local theater and bookshop owned by George R.R. Martin.

mural by John Pugh

We go to a vintage cowboy clothing store for Kurt, and a witch store for me. I  buy a candle and a quartz crystal, because when in New Mexico…

Kurt insists on a break from New Mexican food, so we try out an African restaurant called Jambo Cafe, which has excellent reviews and won the “Souper Bowl” multiple times. Our food is so delicious that I continue eating even past the point that I am so full I’m in physical pain. (And I would do it again!)

Our Airbnb sits up in the hills above a panoramic view of the city. Kurt and I sit outside, enjoying a local beer while watching the sun set.

Sunday, May 5: Meow Wolf

Soundtrack: “Space Oddity” David Bowie

There’s something in Santa Fe that I’ve been dying to see for years, ever since I first heard about it. Meow Wolf is the brainchild of a collective of DIY artists, tired of being shut out of the traditional art scene that dominates Santa Fe. In 2016, thanks to an investment from George R.R. Martin, the collective opened a fully immersive, interactive art installation inside a 75,000 sq. ft. former bowling alley. I highly recommend watching the documentary Origin Story, which does an excellent job of capturing the arduous journey of Meow Wolf’s creation from DIY punk shows to Public Benefit corporation with new locations soon to open in multiple cities. I first heard about Meow Wolf years ago, from a good college friend (Hi R!) whose brother has been involved since the beginning. And finally, Kurt and I get to see it in person!

Outside the building, several metal sculptures–a wolf, a robot, a gigantic spider–loom over the parking lot, setting the mood for what we’ll find inside. When you first enter the exhibit, titled The House of Eternal Return, you encounter a fully recreated Victorian home. There’s a storyline involved, and as you make your way through the installation, you search for clues to uncover what happened to the Selig family, the house’s occupants who mysteriously disappeared. Shortly after we enter the house, I open the kitchen fridge and see a blinding white tunnel that leads to an intergalactic travel agency. Kurt follows me inside, and for the next few hours, we explore the many dimensions of Meow Wolf.

I cannot express in words how trippy and wild this place is, nor do I truly want to–I don’t want to spoil all the surprises. I just want to urge you to go check out the House of Eternal Return, or one of the upcoming Meow Wolf installations in Denver or Las Vegas. To give you a taste of what to expect, I will say that I crawled into a glowing fireplace that led to a pink ice cave full of stalactites, slid down a light-up slide inside a washing machine, and received a fortune from a fortune-telling machine that told me to wear socks with Tevas.

Kurt and I wander around on our own, eventually running to find each other whenever we discover something rad. There are countless interactive elements; we come across a row of red laser beams, and realize that if we “pluck” the beams, they play like harp strings. A recumbent bench is revealed to be from an old school bus sliced in half and pointed upright, and hitting the control buttons creates a psychedelic light show in the windshield. I am blown away by the ingenuity and also the playful sense of humor that permeates the entire exhibit.

Eventually, finally, we must leave, even though I don’t really want to. I want to stay in this weird art fever dream forever.

We spend the rest of the day hanging out around Santa Fe–pints and live mariachi music at Santa Fe Brewing Co., dinner and craft beer flights at Rowley Farmhouse Ales, and end the night at the Airbnb, watching Game of Thrones together on the iPad.

I’m so grateful I finally got to visit Meow Wolf, after years of hearing about it from idea to inception. I feel so renewed with inspiration, and as always, that desire to explore, to hear stories, and to keep telling stories.

A woman crawls into a blue tunnel inside a washing machine.


Friday, May 3: Hanging out in Albuquerque

Soundtrack: “Albuquerque” Weird Al

We’re now a full week into our trip. I love a 2-week-long vacation. It gives you enough time to unplug from routine then have a lovely amount of time to revel in that feeling before you need to start thinking about the return to real life. Kurt and I are both so lucky that we have the ability to enjoy this amount of time off together. I will never take that for granted.

We grab breakfast at Cecilia’s Cafe, a few blocks from our Airbnb, and I get eggs doused in green chile. Afterwards, we drive to Old Town and walk around, checking out the stores. In the town square, we see an RV functioning as a Breaking Bad tour.

It’s my idea to ride the Sandia Peak Tramway, which is surprising given my terrible fear of heights. The cable cars carry you up to the top of Sandia Peak in the Cibola National Forest, and I want to see the view from safely behind enclosed glass. Kurt and I buy our tickets and board the cable car, and as soon as we clear the tree line, I realize that being inside a glass box doesn’t make me feel any less anxious. In fact, as I look ahead and see how high the first tower is, I start to panic sweat. I’m not the only nervous person in the tram; I hear a few others whimper as we pass through the first tower, causing the cable car to swing back and forth a bit. I try to talk myself rationally through my fear and look out the window–after all, I paid to get this view. It really is incredible. We watch the city of Albuquerque drift into the background. The forest beneath is lush, verdant, and full of wildlife, so I keep my eyes peeled for black bears or mountain lions.

We finally reach the top at 10,378 feet elevation, which is the highest we have ever been outside of an airplane. The view is worth it.

Albuquerque from the top of Sandia Peak

I tell Kurt, “You aren’t afraid of heights, so coming up here isn’t a big deal for you. And because I AM scared, and did this anyways, I’m actually braver than you are. I’m pretty sure that’s the main lesson of Harry Potter.”

We walk around the chalet for a bit, checking out the nearby trails and the ski lifts in rest mode, then eventually catch a ride back down. Our cable car on the return trip is packed more tightly, so it’s harder for me to see out the window (and therefore, a little less nerve-racking). I overhear a woman say to her husband “I don’t think anyone could really hold on with one hand and pull someone back up with the other” and I want to shout “You watched the Point Break remake too!!” but I do not.

It’s early afternoon and we have nothing but time on our hands, so we start checking out some local breweries, hopping from Bow and Arrow Brewing (they have several saisons, which greatly pleases Kurt), to Dialogue Brewing (as a writer I obviously had to pick up their t-shirt), then Sidetrack Brewing, which is having some sort of big First Friday party called Adobe Disco, with a DJ playing on the outdoor patio. After camping for so long, we totally forgot about weekends.


In fact, there’s an art walk going on all evening, which is an recurring monthly event. We keep ordering pints as the music grows louder and the beer garden gets more crowded. I’m having a fantastic time. “I think I love Albuquerque!” I text to like three people. Amidst all the drinking, we forgot to eat dinner, always a winning combo. Thankfully, as we stumble the few blocks home to our Airbnb, we pass a food truck selling frito pie, and place some orders to go.

The Radio Waves of the Galaxy

Wednesday, May 1: Truth or Consequences to Chaco Canyon via Socorro and Pie Town

Soundtrack: “Car Wheels on a Gravel Road” Lucinda Williams

Before leaving Truth or Consequences, we stop at Black Cat Coffee & Books to caffeinate. Cats, coffee, and books are three of my favorite things. Today is another big driving day as we head north, and we have a few stops along the way.

Our first stop of the day is in Socorro at Very Large Array, one of the world’s premiere radio astronomy observatories.  27 gigantic radio antennae operate together to create a telescope that spans miles. Kurt is a science nerd, and I’m a sci fi nerd, so he is totally geeked out about the function of the array while I’m like “Wait, Contact was filmed here?! Awesome!” We buy tickets to the self-guided tour, and from the moment you reach the visitors center, you are asked to turn off your cell phones (not even airplane mode suffices) because of the incredible sensitivity of the equipment.

Very Large Array

I’m terrible at explaining what exactly happens at this research facility, despite having watched a 20-minute documentary narrated by Jodie Foster as part of the tour, so I will direct you over to the official website. But basically, these 27 antennae are constantly reading the radio waves of the galaxy. A series of railroad tracks criss cross the ground, which is how they move the 82-foot tall dishes into various formations. It’s pretty cool to see the antennae lined up across the desert, against the backdrop of infinite blue sky.

We drive for just under another hour to hit up our next stop along the way. Pie Town, population 186, is situated along the Continental Divide and plays host to the annual Pie Festival. We roll up to a cafe where several hikers sit outside, taking advantage of the first cell service we’ve had in a while. It’s the perfect timing for a lunch stop, so Kurt and I go into the cafe and I order green chili stew. As we eat, another couple who we had seen at our last stop walk in. The waitress asks “So you went to the Very Large Array?”

“Why? Are we glowing?” the woman replied, and we all chuckled as the server pointed out the tour sticker still attached to her shirt.

We order two mini pies to go, and I can’t wait to dig into them. I can’t help but think of Agent Dale Cooper from Twin Peaks, proclaiming “This must be where pies go when they die” as he digs into a slice at the Double R Diner.

Back on the road, we see more and more hikers, and then it dawns on me that they’re probably doing the Continental Divide Trail. Our route takes us through El Malpais, which means “the badlands,” and the scenery is dramatic and stunning. We pull over when we spot La Ventana Natural Arch from the road. I can’t get over how beautiful New Mexico is. Why do we live in Illinois again??

La Ventana Natural Arch, El Malpais

It’s hours of driving to our final stop for the day, Chaco Culture National Historic Park. The last 20 miles to Chaco Canyon are notoriously rough, unpaved road. All over the internet, there are warnings about attempting to drive it in a low profile vehicle. We reach the dirt road and slowly begin making our way along; it’s just as bumpy as advertised, miles of uneven grade and cattle guard miles from any town,  without a single bar of cell service.

It takes us close to an hour to go 20 miles. The van feels like it’s shaking apart, and I hear our stuff rattling around in the back, falling off shelves or rolling around in their bins. We’ll have to remember before we crack open any canned beverages. Out my window, I see a jackrabbit sitting on the side of the road, then go hopping away, its large white ears visible above the brush. Fajada Butte emerges into our view.

the road to Chaco Canyon

There’s one campground within the park, Gallo, which is first come, first served. We drive around looking for an open site; the place is packed. We find a find a spot in the middle of the RV area, but after we pay the camping fee, a better spot opens up on the outskirts of the grounds after another vehicle leaves, so we quickly move the van. “It’s like house hunting all over again!” our new neighbor jokes to us.

Our new spot gives us an incredible view of the canyon and the butte in the distance. I relax by the fire with my book and cup of wine. We eat ribs for dinner, which we carried from Chicago in our cooler, and mini pies from Pie Town for dessert. As the sun sets, the temperature drops; it’s our first cold night. I put on my hoodie and my fleece to stay outside a little longer and watch the sky fill with stars.

Sand Dunes and a Spa Day in Southern New Mexico

Tuesday, April 30: Lincoln National Forest to White Sands to Las Cruces to Truth or Consequences

Soundtrack: “Las Cruces Jail” Two Gallants

From our campsite, it’s an hour-long drive to White Sands National Monument. We eat a light breakfast of yogurt and granola and drink piñon coffee, then hit the road.

You can see the gleaming white sand dunes in the distance as you approach the national monument. After we stop in the visitor center and pay our admission fees, we drive the van along the road that skims between waves of sand dunes. The white sand is gypsum, and it feels softer and silkier than regular beach sand. Kurt parks the van in a picnic area, and we get out and explore. White sand dunes sprawl in every direction around us. We take off our shoes and run up and down the dunes. There’s a school bus parked nearby, and a gaggle of kids running and laughing, using sleds to ride down the dunes. We head in another direction, up onto a higher dune far away from other visitors. The sky is clear and blue, and sun beats down at us and bounces off the white sand. On a day like this, you need to apply sunscreen on every inch of your body.

White Sands National Monument

It’s fun to play in the sand. I attempt a cartwheel and flop onto the sand. Kurt and I try running up a steeper dune to see how far we can go, then surf our way back down, running sideways to keep our balance. A strong wind creates rippling patterns in the gypsum that immediately bury footprints; it would be very easy to get lost out here if you wander off too far. I can almost imagine I’m on another planet out here, somewhere Star Wars-y like Tatooine or Jakku.

Surfin’ USA

Back on the road, our route takes us through Las Cruces, so we stop at a restaurant called Chachi’s that our friend recommended. At this point of the trip, I begin in earnest a pattern of eating green chile as part of every meal, be it breakfast, lunch, or dinner. My green chile burrito and gigantic margarita are incredible. My margarita is also practically the size of a movie theater bucket of soda, so Kurt is stuck driving us the rest of the way to our final stop for the day, Truth or Consequences.

Literally for years, I’ve been wanting to visit Truth or Consequences, New Mexico, if for no other reason than its name is awesome. I can’t even remember when or where I first heard of it, but after doing an initial bit of research, I learned that the city sits on the Rio Grande and is known for its natural hot springs.

The Rio Grande

For our stay in T&C, I booked us a room at Riverbend Hot Springs Resort. After camping for most of our trip up to this point, we both crave showers and a real bed, so the resort is a nice treat. We check into our room, change into swimsuits, then go scope out the pool area. Multiple mineral hot springs pools are built into the ledge hanging over the banks of the Rio Grande. Underneath a large wooden pergola, there’s various lounge chairs, wicker basket seats, and hammocks for relaxing out of the sun. The pool area has a key rule, which is that only whispering is allowed, so it’s very quiet and serene. It’s exactly the New Agey moment I’d wanted.

Kurt tests the waters

Kurt and I soak in the mineral pools for a while. It’s super hot out, so sitting in a naturally heated 106-degree stone tub isn’t exactly refreshing, but the water is supposed to have healing elements and the scenery is gorgeous. I bring out my Kindle and read in the pool for a while. Kurt moves to a hammock for a nap. Once the heat gets to me, I sit on a lounge chair to dry and do a bit of writing in my travel notebook. I love the quiet aspect of the resort, with the only sounds coming from the light breeze, the lapping of the river, and soft windchimes. After so much constant movement and activity this week, we both enjoy being still.

spa day

At dinnertime, we walk to the nearby brewery and sample a few local beers, then get chicken wings from an Asian fusion restaurant. The sun has set, and I am eager to revisit the pools and see what the outdoor garden looks like at night. It does not disappoint. The greenery is dotted with tiny little green and blue lights, and lights are projected onto the trees across the river, giving the entire pool area a fairy-like magical appearance. Kurt returns to his favorite hammock, and I get back into the springs. Now that the air temps have cooled, it feels amazing to sit in the hot water. I lean back against the edge of the stone tub to gaze at the night sky and absorb all the healing.





Carlsbad Caverns and Camping

Monday, April 29: Roswell to Carlsbad to Lincoln National Forest

Soundtrack: “I Will Follow You into the Dark” Death Cab for Cutie

The shades on the van do a surprisingly good job on keeping out the bright sun. From my time living in Nevada in college, I remember how cool it gets in the desert overnight, and how quickly it heats up when the sun rises. Kurt makes us an amazing breakfast–egg and sausage burritos with green and red peppers, onions, and hot sauce. We eat at the picnic table, soaking in the sunshine now, because we’ll be spending most of this day underground. Back on the road, the landscape gets more and more desert-y. Tumbleweeds! Pronghorn! We see two roadrunners dart across the pavement.

In Carlsbad, we stop at a coffee shop to meet up with a friend (Hi Zane!). It’s nice to chat with a familiar face who is also a local, and she gives us lots of great restaurant recommendations for our trip, as well as shares some of her personal stories of the Caverns. I’ve barely been inside any cave systems besides a smallish one in southeastern Wisconsin, back in high school. I tend to get claustrophobic, but I know that the Carlsbad Caverns are gigantic, nothing like the midwestern cave where I had to crawl on my belly to get through some of the narrow passageways.

The drive to the National Park’s visitor’s center takes us through miles of sprawling desert hillside. It’s now hot outside, about 90 degrees, but we know it will be a cool, clammy 50 inside the caverns, so I bring my fleece jacket to throw on over my Captain America tank top (worn to boost my bravery points). To take the natural cave entrance, we leave the visitor’s center and walk back outside down a trail which eventually descends into a dark, gaping hole in the ground. The trail snakes into switchbacks for a gradual decline. As we reach the mouth of the craggy rock, dozens (hundreds?) of tiny swallows whoosh in and out over our heads. I try to get a good look in case they are bats, even though I know it’s the wrong time of day for them. I love bats; they are like goth mammal-birds. The chirping of the swallows echoes through the mouth of the cave, and we go past the last rays of sunshines that disappear into the caverns, then we are enveloped in cool darkness.

“Oh, you think the darkness is your ally, you merely adopted the dark. I was born in it, molded by it.”

The entrance chamber is gigantic, and as we descend deeper into the cave, I make a lot of Bane references.  Finally, we reach the point where we can no longer see the opening, and if all of the lights went out, we’d be in complete and total darkness. The park system has strategically placed lights throughout the caverns to highlight interesting rock formations and guide visitors along the trail, but it’s still quite dim and Kurt is just a shadow in front of me. It’s a Monday in late April, so there aren’t many other visitors, and at times it feels like Kurt and I are the only ones in the cave with no other people in sight.

It takes 2-3 hours to walk the entire trail. Many of the features were named by a teenager, Jim White, who first explored the caves in 1898, and they have ominous, descriptive names: the Boneyard, Witch’s Finger, and the Bottomless Pit (seriously, why are so many things Bottomless in New Mexico? I am acrophobic and it freaks me out).

The Queen’s Chamber, Carlsbad Caverns

We weave through the caverns on the trail past limestone formations that look like Cthulhu, and stalagmites twice as tall as we are. 250 million years ago, this area was an inland sea. It is a bit mind-blowing to be in a place like this, somewhere untouched by the progress of humanity while paradoxically created by the passage of centuries. It feels primal and eerie, and I half expect some sort of prehistoric creature to emerge from the cracks and drag me screaming into the bottomless pits. I get nervous and hang onto Kurt’s arm to ground me. The deep crevasses make me think of Superman II when Zod falls to his death.

We eventually reach the Big Room, the largest chamber in the caverns, nearly 4,000 feet long and 255 feet high. It’s impossible to capture the immensity, depth, and otherworldliness in a photo. I feel like we could emerge from this place and return to an Earth full of dinosaurs. But then we reach the underground gift shop, because of course there is, so we take a break and eat a snack while sitting on a bench. Imagine being the cashier at this concession stand, taking an elevator 800 feet down into the ground to get to work every day.

underground concession stand

When we finish exploring, we take the elevator back to the visitors center, to 90-degree temperatures and blazing sunlight. It’s time to find a campsite for the night, and we have lots of ground to cover to keep on schedule. We drive for nearly 3 hours to Lincoln National Forest. The terrain changes, and rolling hills morph into tree-covered mountains. Grassy valleys are dotted with white and brown cattle; BLM land alternates with private ranches. We turn off onto a forestry road, using a pdf map on our iPad. After rambling along rough gravel, we find a turn-off into a clearing that makes for a perfect campsite. There’s a previously used fire ring and enough trees to give us some privacy from the road. The air smells like Ponderosa pine and sagebrush.

We settle into our usual routine; Kurt gathers firewood while I get assemble our folding chairs and travel table. At the edge of the clearing, Kurt finds a hunk of animal fur and a few cleaned bones that look like they were once a small deer. I begin thinking about what predators live here, maybe mountain lions or black bears. We make tacos for dinner, and watch the sun set behind the tree line.

Lincoln National Forest